First published in French in 1985, _The Divine Left_ is Jean Baudrillard's chronicle of French political life from 1977 to 1984. It offers the closest thing to political analysis to be found from a thinker who has too often been regarded as apolitical. Gathering texts that originally appeared as newspaper commentary on François Mitterand's rise to power as France's first Socialist president and the Socialist Party's fraught alliance with the French Communist Party, The Divine Left in essence presents Baudrillard's theory (...) of the simulacrum as it operates in the political sphere. In France, the Left, and even the ultra-Left, had been seduced by power. This scenario -- dissected by Baudrillard with deadpan humor and an almost chilling nonchalance -- produced a Socialist Party that devoted itself to rallying the market economy and introducing neoliberalism, and replaced an intellectual class with the media stars and hyper-professionals of the spectacle. Starting from the elections of 1977, Baudrillard analyzes -- in "real time," as it were -- how the Left's taking of power had in fact been an enaction of not just its own death throes, but those of power itself. The Divine Left outlines a simulation of politics that offers discomfiting parallels to our political world today, a trajectory that has only grown more apparent in recent years: the desire and intention to fail. (shrink)

We take up the challenge of developing an international network with capacity to survey the world's scientists on an ongoing basis, providing rich datasets regarding the opinions of scientists and scientific sub-communities, both at a time and also over time. The novel methodology employed sees local coordinators, at each institution in the network, sending survey invitation emails internally to scientists at their home institution. The emails link to a ‘10 second survey’, where the participant is presented with a single statement (...) to consider, and a standard five point Likert scale. In June 2023, a group of 30 philosophers and social scientists invited 20,085 scientists across 30 institutions in 12 countries to participate, gathering 6,807 responses to the statement 'Science has put it beyond reasonable doubt that COVID-19 is caused by a virus'. The study demonstrates that it is possible to establish a global network to quickly ascertain scientific opinion on a large international scale, with high response rate, low opt-out rate, and in a way that allows for significant (perhaps indefinite) repeatability. Measuring scientific opinion in this new way would be a valuable complement to currently available approaches, potentially informing policy decisions and public understanding across diverse fields. (shrink)

The British idealists of the late 19th and early 20th century are best known for their contributions to metaphysics, logic, and political philosophy. Yet they also made important contributions to social and public policy, social and moral philosophy and moral education, as shown by this volume. Their views are not only important in their own right, but also bear on contemporary discussion in public policy and applied ethics. Among the authors discussed are Green, Caird, Ritchie, Bradley, Bosanquet, Jones, McTaggart, Pringle-Pattison, (...) Webb, Ward, Mackenzie, Hetherington, Muirhead, Collingwood and Oakeshott. The writings of idealist philosophers from Canada, South Africa, and India are also examined. Contributors include Avital Simhony, Darin Nesbitt, Carol A. Keene, Stamatoula Panagakou, David Boucher, Leslie Armour, Jan Olof Bengtsson, Thom Brooks, James Connelly, Philip MacEwen, Efraim Podoksik, Elizabeth Trott and William Sweet. (shrink)

Abstract:This essay explores ways that looming climate change will affect how we think about future winters in New England. By all accounts, by the end of the twenty-first century the depth of the region's winter snow and cold will be much reduced from their historical averages. Drawing upon personal reflection, scientific data, and close readings of iconic New England authors, the essay examines potential future conceptions of the region's winters. I am particularly interested in how the expected warmer winters will (...) demand rereading literary works by iconic figures such as Emily Dickinson, Henry David Thoreau, and Robert Frost. The essay begins with an examination of the role nostalgia has played in popular images of New England winters and argues for a critically informed version of nostalgia that will enable readers to mourn for what they might lose in the future. The concluding section examines the folklore behind the January Thaw. Climate change, I argue, will usher in a period of an ongoing New England thaw to which our poetry and natural history writing will have to adapt. (shrink)

We take up the challenge of developing an international network with capacity to survey the world’s scientists on an ongoing basis, providing rich datasets regarding the opinions of scientists and scientific sub-communities, both at a time and also over time. The novel methodology employed sees local coordinators, at each institution in the network, sending survey invitation emails internally to scientists at their home institution. The emails link to a ‘10 second survey’, where the participant is presented with a single statement (...) to consider, and a standard five-point Likert scale. In June 2023, a group of 30 philosophers and social scientists invited 20,085 scientists across 30 institutions in 12 countries to participate, gathering 6,807 responses to the statement Science has put it beyond reasonable doubt that COVID-19 is caused by a virus. The study demonstrates that it is possible to establish a global network to quickly ascertain scientific opinion on a large international scale, with high response rate, low opt-out rate, and in a way that allows for significant (perhaps indefinite) repeatability. Measuring scientific opinion in this new way would be a valuable complement to currently available approaches, potentially informing policy decisions and public understanding across diverse fields. (shrink)

We take up the challenge of developing an international network with capacity to survey the world’s scientists on an ongoing basis, providing rich datasets regarding the opinions of scientists and scientific sub-communities, both at a time and also over time. The novel methodology employed sees local coordinators, at each institution in the network, sending survey invitation emails internally to scientists at their home institution. The emails link to a ‘10 second survey’, where the participant is presented with a single statement (...) to consider, and a standard five-point Likert scale. In June 2023, a group of 30 philosophers and social scientists invited 20,085 scientists across 30 institutions in 12 countries to participate, gathering 6,807 responses to the statement Science has put it beyond reasonable doubt that COVID-19 is caused by a virus. The study demonstrates that it is possible to establish a global network to quickly ascertain scientific opinion on a large international scale, with high response rate, low opt-out rate, and in a way that allows for significant (perhaps indefinite) repeatability. Measuring scientific opinion in this new way would be a valuable complement to currently available approaches, potentially informing policy decisions and public understanding across diverse fields. (shrink)

Types of sensory receptor can only be identified by multidimensional discrimination of a familiar version of a sensed object from variants that disconfound putative types. By that criterion, there is as yet no evidence against just the four classic types of gustatory receptor, for sodium salts, alkaloids, sugars, and proton donors.

Hypnosis is associated with profound changes in conscious experience and is increasingly used as a cognitive tool to explore neuropsychological processes. Studies of this sort typically employ suggestions following a hypnotic induction to produce changes in perceptual experience and motor control. It is not clear, however, to what extent the induction procedure serves to facilitate suggested phenomena. This study investigated the effect on suggestibility of a hypnotic induction and labelling that procedure ‘hypnosis.’ Suggestibility of participants was tested before and after (...) an adapted hypnotic procedure, which was either labelled as ‘hypnosis’ or as ‘relaxation.’ The hypnotic procedure produced a modest increase in suggestibility when it was called ‘relaxation,’ but a very significant increase if it was labelled ‘hypnosis.’ The results are important for both clinical and experimental applications and indicate that labelling an induction procedure ‘hypnosis’ is an important determinant of subsequent responses to suggestion. (shrink)

One dominant aspect of British Idealism of the late nineteenth century was its critical reaction to the central traditions of British philosophy from Hobbes to Mill; much of T. H. Green’s thought was cast against his criticism of the Lockean “way of ideas”; F. H. Bradley challenged key doctrines in Mill’s logic and the theory of the association of ideas as developed by Hume, Mill, and Hartley; Bernard Bosanquet’s political philosophy raised objections to the forms of liberal individualism found in (...) Bentham, Mill, and Spencer; and all three were critical of utilitarianism. In advancing their criticisms, they brought to bear the insights of other traditions they had encountered in their studies at Oxford: the ancient philosophies of Plato and Aristotle and the German idealism which had been gradually arriving from the continent. The extent to which they forged new positions from these sources varied. While Bradley’s thought was more eclectic and independent, Green’s thinking was always dominated by Kant and Bosanquet’s by Hegel. (shrink)

Amor Dei, “love of God” raises three questions: How do we know God is love? How do we experience love of God? How free are we to love God? This book presents three kinds of love, worldly, spiritual, and divine to understand God’s love. The work begins with Augustine’s Confessions highlighting his Manichean and Neoplatonic periods before his conversion to Christianity. Augustine’s confrontation with Pelagius anticipates the unresolved disputes concerning God’s love and free will. In the sixteenth-century the Italian humanist, (...) Gasparo Contarini introduces the notion of “divine amplitude” to demonstrate how God’s goodness is manifested in the human agent. Pierre de Bérulle, Guillaume Gibieuf, and Nicolas Malebranche show connections with Contarini in the seventeenth-century controversies relating free will and divine love. In response to the free will dispute, the Scottish philosopher, William Chalmers, offers his solution. Cornelius Jansen relentlessly asserts his anti-Pelagian interpretation of Augustine stirring up more controversy. John Norris, Malebranche’s English disciple, exchanges his views with Mary Astell and Damaris Masham. In the tradition of Cambridge Platonism, Ralph Cudworth conveys a God who “sweetly governs.” The organization of sections represents the love of God in ascending-descending movements demonstrating that, “human love is inseparable from divine love.”. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Skeptic Way: Sextus Empiricus’s “Outlines of Pyrrhonism.” by Benson MatesDavid K. GliddenBenson Mates. The Skeptic Way: Sextus Empiricus’s “Outlines of Pyrrhonism.” New York: Oxford University Press, 1996. Pp. x + 335. Cloth, $55.00, Paper, $22.95.Benson Mates’s translation and commentary of Sextus Empiricus’ Outlines of Pyrrhonism appears nearly half a century after Mates first began his pioneering work on Sextus and Hellenistic philosophy. This publication coincides with another (...) new translation of the Outlines by Annas and Barnes, who provide only an abbreviated commentary (Cambridge University Press, 1994). After decades when the only available English translation was by Bury from the Loeb, there are now choices available which allow Sextus to be taught to different sorts of English readers.In comparing the two translations, this reader found the Annas and Barnes version more mellifluous. Mates is not as sweet. His style is plain-spoken, but this approach has merits when the arguments get going. The Annas and Barnes version uses footnotes for commentary, along with a brief introduction. Their notes cite parallel passages in other works by Sextus, provide brief guidance for interpretation when it is most needed, and connect the reader with a focused list of bibliographical references, inviting readers themselves to turn toward scholarly debates over certain controversial passages. Consequently, Annas and Barnes opens out to a wide audience of classicists, historians, students of literature, general readers interested in scepticism, as well as philosophers of whatever ideology. [End Page 460]The Mates edition is directed toward philosophers alone. It is much less oriented toward historical scholarship, preferring to read Sextus as a contemporary professional philosopher might. In this way, Mates will approach a passage from the Outlines in terms of a passage in Hume or Berkeley, even though, of course, these latter-day philosophers derived their views from reading Sextus. Mates employs philosophese with ease, constructing a version of Sextus from the professional philosopher’s interpretive stance, in the language of propositions and Fregean intensions. The audience Mates is writing for and the viewpoint he is writing from more or less correspond to the “analytical” faction of the American Philosophical Association. Postmodern Foucaultians, contextualist historians, and Hellenistic scholars might find this approach unhelpful, even irritating. But busy, mainstream American philosophers could find Mates’s approach sufficiently sympathetic to actually read some Sextus, in the way Chisholm once had done, finding a passage on the Cyrenaics in Sextus which led to the reinvention of “adverbial appears locutions” and which, in turn, played for decades in the epistemological arcades.Mates begins his edition with a systematic introduction to the Outlines and follows his translation with another hundred pages of narrative, reflecting primarily what Mates finds interesting about certain selected passages. Although, like Annas and Barnes, he provides parallel passages, ancient references, and highly abbreviated accounts of scholarly disputes, his own narrative line dominates both his introductory essay and his commentary. Mates writes in a somewhat chatty style prone to the blunt Cephalean confidence that comes with considerable experience and success as a professional philosopher. His narrative line is clear, connected, often compelling, as for instance when he argues that for Sextus “dogmatizing and believing turn out to be one and the same” (61).Fashion has returned to favor Pyrrhonism in the late twentieth century, just as the cycle had come around before, toward the end of the sixteenth century, sparking a philosophical renaissance. This time around the import may be different. Both Annas and Barnes as well as Mates find Sextus worth reading as serious philosophy. This is a considerable improvement in the fortuna of the Outlines. For decades Sextus was banned in American philosophy departments, as no philosopher at all. He was not taught, he was not read. One highly prominent American philosopher was expressly forbidden to write a dissertation on him, around the time Mates and Chisholm had the courage to publish on him. Sextus is now welcome in the Canon.If Sextus now is one of us, a serious philosopher, then the dogmatists (Stoics, Epicureans, Peripatetics, etc.) he ridiculed were merely failures. The game continues. So, Mates, Annas and Barnes can embrace Sextus as ours. His readers won’t... (shrink)

We are facing unprecedented environmental destruction these days; our remaining forests are being razed at alarming rates, and the high levels of mass extinctions are unraveling the vital fabric that sustains all life on the planet. How does a sensitive person endure in the face of such devastation to stand strong and do the right thing in a manner that keeps the heart soft, open, and responsive? This essay suggests that a new and special kind of love is available to (...) us during these challenging times?a love that is both astonishingly sweet and extremely necessary. (shrink)

Some individuals have a neurogenetic vulnerability to developing strong facilitation of ingestive movements by learned configurations of biosocial stimuli. Condemning food as addictive is mere polemic, ignoring the contextualised sensory control of the mastication of each mouthful. To beat obesity, the least fattening of widely recognised eating patterns need to be measured and supported.

In his recent book "Sweet Dreams: philosophical obstacles to a science of consciousness," Dennett renews his attack on a philosophical notion of qualia, the success of which attack is required if his brand of Functionalism is to survive. He also articulates once again what he takes to be essential to his notion of consciousness. I shall argue that his new, central argument against the philosophical concept of qualia fails. In passing I point out a difficulty that David Rosenthal's (...) "higher-order thought" theory of consciousness also faces in accounting for qualia. I then contrast Dennett's newest account of consciousness with interestingly different conceptions by contemporary neuro-scientists, and I suggest that philosophers should take the recent suggestions by neuro-scientists more seriously as a subject for philosophical investigation. (shrink)

What is the relationship between the Irish modernist writings of James Joyce and the Scottish empirical philosophy of David Hume? Here I discuss Joyce’s conception of Hume as a philosopher and explore the presence of Hume’s work in Joyce’s final masterpiece, Finnegans Wake. How then did Joyce conceive of Hume’s thought, and to what extent did he engage with it? Well, in his lecture “Realism and Idealism in English Literature,” given at Trieste in 1912, Joyce denounces the interest in (...) the sanity of artistic and philosophical geniuses, before offering the following comments. (shrink)

It is well known that the appearance of food, particularly its color, can influence flavor perception and identification. However, food studies involving the manipulation of product color face inevitable limitations, from extrinsic flavors introduced by food coloring to the cost in development time and resources in order to produce different product variants. One solution lies in modern virtual reality technology, which has become increasingly accessible, sophisticated, and widespread over the past years. In the present study, we investigated whether making a (...) coffee look milkier in a VR environment can alter its perceived flavor and liking. Thirty-two United Kingdom consumers were given four samples of black cold brew coffee at 4 and 8% sucrose concentration. They wore VR headsets throughout the study and viewed the same coffee in a virtual setting. The color of the beverage was manipulated in VR, such that participants saw either a dark brown or light brown liquid as they sipped the coffee. A full factorial design was used so that each participant tasted each sweetness x color combination, Participants reported sweetness, creaminess, and liking for each sample. Results revealed that beverage color as viewed in VR significantly influenced perceived creaminess, with the light brown coffee rated to be creamier than dark brown coffee. However, beverage color did not influence perceived sweetness or liking. The present study supports the role of VR as a means of conducting food perception studies, either to gain a better understanding of multisensory integration, or, from an industry perspective, to enable rapid product testing when it may be time-intensive or costly to produce the same range of products in the real-world. Furthermore, it opens potential future opportunities for VR to promote healthy eating behavior by manipulating the visual appearance of foods. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Narrative, Interpretation, and Plagiarism in Mr. Robertson's 1778 History of Ancient GreeceGiovanna CeseraniDays after the successful debut of his History of Scotland in 1759, Dr. William Robertson was busy consulting his friends about what project to undertake next. David Hume solicitously responded by expressing doubts about two of the possible topics—the age of Pope Leo Xth and the Emperor Charles Vth. The first would be difficult because it (...) would require the understanding of that age's "great Works of Sculpture, Architecture, Painting," while attaining the "competent Knowledge... requird of the State & Constitution of the Empire," including numerous European countries, necessary to carry out the second project "would be the Work of half a Life." Rather Hume recommended "the ancient History, particularly that of Greece": "I think," he wrote, "Rollin's Success might encourage you, nor need you be in the least intimidated by his Merit. That Author has no other Merit, but a certain Facility & Sweetness of Narration; but has loaded his Work with fifty Puerilities."1 Yet, after considering further the excellent historical narratives that survived from antiquity, Hume feared that they could indeed turn into a disadvantage for the aspiring modern historian: "For what can you do in most places with these Authors, but transcribe & translate them? No Letters or State Papers from which you coud correct their Errors, or authenticate their Narration, or supply their Defects. Besides, Rollin is so well wrote with respect to Style, that with superficial people it passes for sufficient." On the whole he thought, however, that a "History of Greece till the death of Philip... would be successful, notwithstanding all these discouraging Circumstances. The Subject is noble, & Rollin is by no means equal to it."2 [End Page 413]Despite his friend's advice, Robertson went on to write what became his most successful work, the History of the Reign of Charles V (1769), but Hume's letters are nevertheless revealing.3 Hume's acute concern with publishing success speaks, on the one hand, to his lifelong economic struggle, but also of the flourishing market for history books in his times, on which, before the professionalization of the discipline, authors more and more came to rely in lieu of the literary patronage of earlier times.4 But the issue of the status of the historian was more than an institutional one for Hume's contemporaries. While the classical model of the historian as political man writing history in his retirement from public life was in sharp decline, a clear successor was still to follow. As Pocock puts it: would one who studied, edited, or rewrote past history be an historian at all?5 Hume's concern with historical authority and his consciousness of the difference between a narrative based on experience, in the Thucydidean mode as he would have understood it, and one based on authorities, is clear in his letter advising Gibbon to transform the Decline and Fall's endnotes into footnotes.6 Hume's letters to Robertson show again this concern developed in parallel to a philosophical preference for manners over details of action, human explanations rather than divine ones. From this perspective he found "puerile" the French Jansenist educator Charles Rollin, who in the preface to his Histoire Ancienne (1730–38) set out the goal to reveal the design of divine Providence within human history and whose work was dominated by a moralistic reading of the past.7Hume's reflections and concerns neatly fit the influential interpretation that, more than half a century ago, Arnaldo Momigliano formulated for the genealogy of modern Western historiography. As Momigliano saw it, modern history developed precisely out of the eighteenth-century convergence of traditional historical narrative—what used to be linear accounts of mostly political events—and antiquarian research—scholarship traditionally devoted to systematic treatment of a variety of subjects that relied on the skills of paleography, epigraphy and the interpretation of archaeological material.8 This process—culminating with Gibbon—presupposed the philosophical shift of the age: "what used to be secondary becomes primary. What used to be primary—wars and dynasties—becomes secondary."9 Recent research has since [End Page 414] expanded the Momigliano's formula—this... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Greek Athletics and the Olympics by Alan Beale, and: Thinking the Olympics: The Classical Tradition and the Modern Games ed. by Barbara Goff, Michael SimpsonJacques A. BrombergAlan Beale. Greek Athletics and the Olympics. Greece & Rome: Texts and Contexts. Cambridge: Cambridge University Press, 2011. iv + 196 pp. Numerous color figs. Paper, $26.Barbara Goff and Michael Simpson, eds. Thinking the Olympics: The Classical Tradition and the Modern Games. (...) London: Bristol Classical Press, 2011. xi + 227 pp. 23 black-and-white figs. Paper, $40.The quadrennial cycle of modern Olympiads has always assured a steady interest in the history of ancient athletics, as participants of all kinds (athletes, officials, and spectators alike) are reminded of the Games’ debts to the ancient Greeks. With the proliferation of undergraduate courses in Classical athletics, sports, and festivals in recent years, however, a growing number of undergraduates are also getting their first glimpses of Greco-Roman antiquity through the stadium door and quickly discovering how different the modern Olympics are from the ancient. The persistent conservatism of the modern Olympics thus presents instructors of undergraduate surveys with the challenge of introducing the festival to an audience that has come to accept the modern as a continuation of the ancient. In two popular histories of the Olympics, for instance, both published in 2004, one may contrast Nigel Spivey’s (The Ancient Olympics [Oxford 2004]: xix) proposed “journey to the strangeness” of Olympia with David Young’s claim (A Brief History of the Olympic Games [Malden, Mass. 2004]: 140) that “our Olympic Games are not so much a revival of the ancient Greek games as a genuine continuation of them.” Although intended for different audiences, the titles under review share the goal of de-familiarizing the Olympics both by emphasizing differences between ancient and modern athletics and by illuminating how an idealized, ancient Greek model has been used to establish and perpetuate the modern Games.There is no shortage of sourcebooks and histories of ancient athletics: Steven G. Miller, Arete: Greek Sports from Ancient Sources (Berkeley, Calif. 2004); Rachel Sargent Robinson, Sources for the History of Greek Athletics (Chicago, Ill. 1955); Waldo E. Sweet, Sport and Recreation in Ancient Greece: A Sourcebook with Translations (Oxford 1987); and William Blake Tyrell, The Smell of Sweat: Greek Athletics, Olympics, and Culture (Wauconda, Ill. 2004), who includes on a companion CD a wider assortment of sources than any printed edition. In keeping with the goals of Cambridge’s Greece and Rome: Texts and Contexts series, Alan Beale’s Greek Athletics and the Olympics offers a combination of texts and illustrations. One need only consider the nature of the evidence to understand [End Page 703] why this approach is not simply valuable, but obligatory: the literary sources are often fragmentary, belated, or anecdotal (or all three), and the material evidence requires detailed and careful exegesis. The challenge of the evidence is compounded by the instinct to read into the modern Olympics continuity rather than innovation. Beale sets out to overcome the “superficial similarities” and re-mystify ancient athletics as something “substantially different from anything in the modern world” (1). In his brief introductions to each source or object, Beale provides the cultural framework into which students may situate texts and images, and he offers questions (many contrasting ancient with modern) aimed at stirring curiosity and facilitating discussion.The opening chapters treat athletics in the Bronze Age and the Homeric epics (chap. 1), outline the ritual origins and growth of competitive athletics at Olympia (chap. 2), and trace the development of the sanctuary and the festival site (chap. 3). Beale is cautious with the examples of Minoan and Mycenaean art (9–12) and quotes generously from both the Iliad (13–19) and Odyssey (19–22), allowing room to observe discrepancies with later athletic practice. Like Robinson (34–35), he supplements Pausanias and Strabo on the first competitions at Olympia with a sample from Pindar, Olympian 10.24–77 (25–26), and instructors who wish to discuss this early history will not find better treatments of these passages elsewhere. Chapter 3 presents the site at Olympia and the administration of the festival, and Beale is to be commended for his... (shrink)

Perched on the ramparts of Volterra last July, I gaze over i dolci colli toscani, the sweet hills of Tuscany, drenched in summer sun. Warm, content and at peace, I am bemused at how much at home I feel in this strange land. I have felt this way since 1991 when I returned for the first time to la bell' Italia thirty-seven years after having lived in Rome as a young child in a Foreign Service family. In its sensuous (...) beauty and riotous disorder, Rome was stunning. My wife Eileen and I explored old childhood haunts, including the Embassy apartment residences on viale villa Graziole where my family had lived for four years in Rome—two consecutive two-year posts—in the 1950s. Memory cells exploding, I was assailed by vivid images from childhood. Once when I was five or six, my brother David and I accompanied our housemaid Marcella to her simple country home and joined villagers in the fields as they all turned out—men, women, and children—to harvest the bean crop. As dusk set in, fires were lit, simple musical instruments appeared with the wine, and the feasting and dancing began. Bonfires were soon aglow for miles up and down the sweet rolling hills. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 123.4 (2002) 623-627 [Access article in PDF] Brief MentionMetamorphoses:a Play By Mary Zimmerman Joseph Farrell I CANNOT REMEMBER A TIME when scholarly interest in a particular classical author was equaled, and maybe exceeded, by a popular enthusiasm measured in weeks on the best-seller lists, boffo box office, and Tony awards. But this seems now to have happened with Ovid. Latinists for some time have been (...) taking Ovid much more seriously than they had done, making his poetry a vehicle for new directions in their work. Over roughly the same period, we have seen Ovidian novels by David Malouf, Christoph Ransmayr, and Jane Alison; fresh translations and ambitious reworkings by Ted Hughes and other poets; and now a remarkable new play by the extraordinary Mary Zimmerman (Circle in the Square, New York, N.Y., from 4 March 2002). 1Zimmerman, a professor of performance studies at Northwestern and a former MacArthur fellow, is a major figure in innovative theatrical venues nationwide. She is known to classicists particularly for her adaptation of the Odyssey, which has been staged in a number of cities since its 1989 premiere. Metamorphoses is, however, her first Broadway production. The show opened off Broadway last fall, and that run was preceded by several others in Chicago, Seattle, Berkeley, and Los Angeles over the past five or more years. 2 As a result, probably everybody [End Page 623] knows something about the play, if only that it is staged in and around a pool of water. The pool is in many ways the star of the show. In the play's opening episode, the Cosmogony, it signifies elemental water, and it recalls its original elemental role in subsequent appearances while signaling that in an Ovidian world, even elemental substances undergo constant change. Thus, water, the most protean of elements, becomes the luxurious swimming pool of a nouveau riche Midas, the ocean in which Ceyx drowns, the food devoured by Erysichthon, Narcissus' mirror, a basin to hold Myrrha's tears, the River Styx when it is crossed by Orpheus, another swimming pool (or maybe the River Po?) on which Phaethon neurotically floats. The pool is surrounded by a three-foot-wide deck, and the minimalist set is completed by an imposing double door behind the pool and to the left; a raised platform behind the pool and to the right; a rectangle of painted skyscape, vaguely reminiscent of Magritte, above the platform; and a chandelier above the pool. A cast of ten actors plays a couple of dozen characters, changing in and out of costumes that are evocative of a generalized antiquity but one in which such things as suspenders and trousers are not unknown: a dream antiquity, then, in which modern viewers can lose themselves or find themselves as circumstances dictate.The advance notices that I had heard or read prepared me to enjoy the play, but its power surprised me. Metamorphoses was an elating experience and one that moved me nearly to tears. It accomplished this by unexpected means. The script is not designed as a vehicle for virtuoso acting. The cast respect this quality in their lines and do not overplay the hand that they are dealt. Instead, the basic emotions of each story are allowed to speak directly. Not that the script or the actors' readings are naïve—on the contrary, they are generally inflected in just the right directions throughout a series of episodes that are, by turns, campy, risqué, or silly and then sweet, shocking, or exquisitely, heart-wrenchingly sad. It is in fact here that this play and this production excel: Laughter and tears walk side by side in each episode but with a different cadence in each case. Now tears are a reproach for taking a story too lightly; now laughter lightens and consoles in the midst of sorrow. In conducting the audience through this spectrum of emotions, Zimmerman has captured the seriocomic element in Ovid as perhaps no other interpreter has ever done. 3 It is worth mentioning here that the basis of Zimmerman's text... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:An Epiphany in Munich LINCOLN PERRY W hen I used to say the sentence (softly and to myself ) “I hate palms” or “Palms are not beautiful; possibly they are not even trees,” it was a composite palm that I had somehow succeeded in making without even ever having seen, close up, many particular instances. Conversely, when I now say, “Palms are beautiful,” or “I love palms,” it is (...) really individual palms that I have in mind. This quote from Elaine Scarry’s On Beauty and Being Just applies perfectly to an experience I recently had regarding a painting by an artist I had assumed I didn’t much care for. Perhaps it would be best to lead into my epiphany gradually, to recreate the preparation that might have been necessary to have my realization. Actually, I speak of a double epiphany, in that it was shared by the friend I was travelling with when we saw the artwork in question. He and I are both painters, and have much in common, both in terms of our own work and our voracious appetite for seeing museums, so when I planned a trip for late October 2018 to see thirty museums in two weeks in Germany and Austria, I knew just whom to call. David Carbone and I have known each other, and appreciated each other’s work, since leaving graduate school in 1975, meeting at the College Art Association held that year in Washington, DC, where people compete for jobs while trying to maintain a veneer of civility. David made less of an effort than most, and I vividly remember him in saddle shoes he had painted bright blue, wearing a tie featuring a burlesque dancer, sipping champagne in the garden courtyard of the National Gallery. All the nearby aspiring art historians were immaculately dressed and scrupulously behaved, but David finished his drink, and in imitation of a arion 27.1 spring/summer 2019 Russian toast, threw his empty glass against the wall, where it noisily shattered. I like this guy, thought I. Over the next few days, visiting DC’s museums together, I recognized the brilliance of his commentaries on the art we saw. And his wit: He told of studying with his painting professor, who became frustrated with David’s pace in painting and said “David, painting is really very simple!” The reply: “But, what if you’re not simple?” I can’t conjure a single artist about whose work we’ve disagreed in the course of the fortythree years we’ve known each other. Meeting often in New York, where he lives with his wife Donna (who, like my wife, is always perfectly willing to let us go museum schlepping without them), we’ve also travelled in central Italy, and even flew to Fort Worth to see a show of the Le Nain brothers. A very sweet guard there asked us, “Who ARE you?” and when we said we were painters, she said, “Oh, because I’ve never seen anybody look at paintings this long, or talk about them so much!” Berlin is a treasure trove, where we visited ten fine museums, then flew to Vienna, which was hosting an extensive exhibit of Bruegel’s paintings, though feast might be a more apt word. A visual feast, but one that didn’t leave one sated, jaded, or bloated, but rather improved, made less ambivalent about membership in a questionable species. Yes, the viewer consumed a meal of war, famine, foolishness, and pride, but the chef made it not just palatable but beautiful, thought-provoking and humorous. Bruegel and his contemporary Rabelais seem kindred spirits, skeptical but amused, bawdy but tender, creating not just works but micro to macro worlds, an alternate world view, in fact. Each painting mesmerized anyone looking long and carefully enough, discovering that a tiny girl on a sled is able to get a purchase on the ice not just with her diminutive sticks, but by the miniscule iron nails in which they end, painted with a one hair-brush. From this minutia we graduate to a wider and wider view, one that comes to imply infinity. Bruegel’s brilliant guidance doesn’t confront us... (shrink)

When talking about music, particularly classical music, we frequently describe musical events in terms of expectation and fulfilment. I begin by exploring how this expectation is described and located in music theory. To do this I look at twentieth century writers such as Eugene Narmour and Leonard Meyer before moving onto David Huron’s monograph Sweet Anticipation. I then look at the relationship between expectation, detective narratives and music theory using Edward Cone’s detailed attempt to relate the experience of (...) listening to music to detective fiction. Taking Cone’s ideas, I use that to demonstrate the existence of a particular variant of Slavoj Žižek’s “subject supposed to believe”, an absent subject who enables belief to operate. In this case, it is a “subject supposed to expect” who allows us to structure and mediate our enjoyment of music. I identify three specific instances of this figure: in the historical enjoyment of music, in the enjoyment of the composer, and in the enjoyment of the idea that musical structure enacts an abstraction of desire. In each case I show how these function in ways that intersect with further concepts of Lacanian theory as explicated by Žižek, such as the Ego-Ideal and the master signifier. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Aristotle on the Concept of Shared Life by Sara BrillZoli FilotasSara Brill. Aristotle on the Concept of Shared Life. Oxford: Oxford University Press, 2020. Pp. 304. Hardback, $100.00.This book is a sweeping survey of Aristotle's approach to human life. It covers what might seem to be an idiosyncratic set of topics: friendship, animal behavior, commerce, tyranny, and motherhood are among the more prominent. But Sara Brill pulls them (...) together into a cohesive and illuminating picture, showing how each reflects Aristotle's conception of the concept "life" and the two Greek words, zôê and bios, that he uses to discuss it.The book rebukes thinkers who draw too sharp a contrast between animal life, on the one hand, and human politics, on the other. Until recently, Brill writes, that has been the dominant trend, uniting thinkers otherwise as different as Giorgio Agamben and David Keyt. For writers like them, human beings must overcome and sublimate their base, animal instincts (zôê, "mere life") in order to develop rational, uniquely human "ways of life" (bioi) like the lives of the citizen and the philosopher.For Brill, by contrast, the relationship between a person and the polis in Aristotle is "an intensified form of the relations between any animal and its proper habitat" (29). Indeed, every animal species has a distinctive way of life, a bios. The lavish discussion of animal "personality" or "character" (ethos) in the History of Animals suggests their range: lions are brave, cattle are stupid, dolphins are gentle, and so on. A personality not only helps an animal flourish in some habitat (topos) but also defines its relationships with other members of its species. So although Aristotle only classifies a few animal species as "political," Brill reminds us that there is a clear sense in which all are social.Aristotle famously claims that we humans are the "most political" of all animals, but Brill shows that this claim is both incomplete and misleading. For although Aristotle thinks that we outdo even bees in organized cooperation, he also stresses that we outdo even "warlike" eagles in our capacity for violence and solitude. Confronted with the opposition between solitary and gregarious ways of life, human beings "dualize" or "play a double game" (epamphoterizei) (HA I.1, 488a7). That is, much as frogs have water-dwelling and land-dwelling inclinations, humans are socially amphibious. Indeed, every human behavior—communal, solitary, and contentious alike—turns out to be an expression of animal nature. Brill points out that much of the Politics emphasizes the negative, the way that human beings make their own and each other's lives unlivable. Thus, although Aristotle embraces the sweetness of life, which has a distinct and intrinsic pleasure, his political project anticipates Nietzsche in squarely and unflinchingly studying its "horrors" (254).For Brill, the apex of human sociality in Aristotle is not politics but the so-called "perfect" friendship that Aristotle describes in Nicomachean Ethics VIII–IX and Eudemian Ethics VII. Perfect friends, Aristotle says repeatedly, "share a life" (suzên, cognate with zôê rather than bios). Friends grieve and rejoice together, perceive together, and philosophize together too. Brill emphasizes that this list includes the full range of psychic functions, from appetite all the way up to the highest forms of abstract thought. As they live together, friends build up a "nexus of meaning and value," a "world as it is created through the sharing of pleasure, judgment, and action" in which there "emerges a subjectivity which cannot be easily or simply conceived as 'mine'" (43, emphasis in original). In the best kinds of friendship, we realize that human life is lived by the partnership itself, not just the friends individually. [End Page 149]But Brill stresses that Aristotle thinks few people will ever find "perfect friendship." It is completely out of reach for most citizens of any real-world city. Yet for Aristotle, the flawed and diverse citizens of every polis nevertheless engage in a form of shared life: shared perception of the just and unjust. How is that possible? Through fragile institutions and customs, what Aristotle calls an "adornment of habits and an arrangement of correct laws" (Politics II.5... (shrink)

Kant's 'practical philosophy' comprehends a diverse group of his writings on ethics, politics, law, religion, and the philosophy of history and culture. Kristi E. Sweet demonstrates the unity and interdependence of these writings by showing how they take as their animating principle the human desire for what Kant calls the unconditioned - understood in the context of his practical thought as human freedom. She traces the relationship between this desire for freedom and the multiple forms of finitude that confront (...) human beings in different aspects of practical life, and stresses the interdependence of the pursuit of individual moral goodness and the formation of community through the state, religion, culture and history. This study of Kant's approach to practical life discovers that doing our duty, itself the realization of our individual freedom, requires that we set for ourselves and pursue a whole constellation of social, political and other communal ends. (shrink)

Kant's Critique of Judgment seems not to be an obviously unified work. Unlike other attempts to comprehend it as a unity, which treat it as serving either practical or theoretical interests, Kristi Sweet's book posits it as examining a genuinely independent sphere of human life. In her in-depth account of Kant's Critical philosophical system, Sweet argues that the Critique addresses the question: for what may I hope? The answer is given in Kant's account of 'territory,' a region of (...) experience that both underlies and mediates between freedom and nature. Territory forms the context in which purposiveness without a purpose, the Ideal of Beauty, the sensus communis, genius and aesthetic ideas, and Kant's conception of life and proof of God are best interpreted. Encounters in this sphere are shown to refer us to a larger, more cosmic sense of a whole to which both freedom and nature belong. (shrink)

This essay considers Kant’s concept of the highest good from a systematic point of view. The two spheres of freedom and nature—of the practical and theoretical—need to be brought into a causal relation for the highest good to be achieved. Kant seems to offer numerous possibilities for how human beings are able to think that it is possible for the highest good to be attainable. I argue that it is only in the third Critique, however, that Kant articulates an answer (...) that also establishes freedom and nature within a larger system. The third Critique does this by positing a third, independent and mediating sphere of human experience that allows a transition between freedom and nature to be effected. This answer to the problem of the highest good is distinctive because the causal efficacy of reason in attaining its own demands is preserved. I examine Kant’s view by way of an analysis of his discussion of ‘territory’ and ‘domain’ in the Introduction to the text. (shrink)

In this article, I offer a novel and in-depth account of how, for Kant, free speech is the mechanism that moves a society closer to justice. I argue that the criticism of the legislator preserved by free speech must also be the result of collective agreement. I further argue that structural features of judgements of taste and the sensus communis give guidance for how we should communicate publicly to succeed at the aims Kant has laid out, as judgements of taste, (...) like politics, belong fundamentally to a transitional sphere between nature and freedom. (shrink)

In this paper, I answer the question,how do we collaborate well with others?I first look at cases of good collaboration, contrasting them briefly with some cases of poor collaboration; I then describe the similarities between the good cases, such as shared aims, shared planning of projects, shared norms among collaborators. The conclusion is that collaborating well involves shared norms, derived both from societal norms and from a well‐ordered relationship between participants; a shared vision derived from shared knowledge and open communication (...) grounded in relationship; and open‐mindedness and thoughtful disagreement, which depend on mutual respect and trust between participants. (shrink)

William Sweet gathers responses to the major writings of the leading figures of the British idealist movement, including contributions by Bertrand Russell, John Dewey, Sir Ernest Barker, Sir Henry Jones, R.F.A. Hoernle, J.S. MacKenzie, Brand Blanshard and others.

Sweet describes the pragmatic foundations of standard logic and applies these foundations to the task of developing a theory of intended models as an extension of standard model theory in which the relevant "intending" is represented pragmatically. Methods of formal logic are used to investigate the structure of the relation between language and the world. The truism which holds that this relation includes the speaker as well as the object spoken about is formally explicated and applied to the problem (...) of illuminating one of the deepest phenomena in standard model theory: the existence of non-isomorphic models of complete theories. To this end it is shown that standard logic admits pragmatic foundations upon which a theory of intended models can be built as an extension of standard model theory. The relevant "intending" is represented by the very forms of verbal behavior which determine the grammatical and logical structure of the sentences whose referential meaning is in question. The uniqueness properties of the class of intended models may then be described. The first section of the book states the immediate goal of standard pragmatics as that of recovering the algebraic structure first-order logic by means of a purely pragmatic construction. The second section, the major portion of the work, then provides the foundation for a semiotic theory of intended models and referential meaning. The theory is then applied to the problem of referential indeterminancy, which has been associated with the phenomenon of scientific revolutions. The theory is also applied to the problem of the apparent synonymy of observationally equivalent theories. Sweet concludes that such theories are not referentially synonymous in any natural sense which is analogous to the paradigm sense in which theories of alternative scales of measurement are referentially synonymous. A novel feature of this book is the formal explication of the idea that the factors, pragmatical in nature, which distinguish the actual meaning of a sentence from among its possible meanings, whose range is defined by the manner in which the sentence is parsed, determine that very parsing. Applicability to natural language of the model-theoretic semantics thereby obtained is made possible by another feature of the book: the development of a theory of locally standard grammar which provides the foundation for representing the structure of natural language as that of standard first-order logic, in a local, as distinguished from a global, sense. This book is intended for scholars in logic, semiotics, and the philosophies of language and of science. Those concerned specifically with such philosophers as Peirce, Martin, and Davidson will also find the study valuable. (shrink)

Though the invocation to be “reflexive” is widespread in feminist sociology, many questions remain about what it means to “turn back” and resituate our work—about how to engage with research subjects’ visions of the world and with our own theoretical models. Rather than a superficial rehearsal of researcher and interlocutor standpoints, I argue that “reflexivity” should help researchers theorize the social world in relational ways. To make this claim, I draw together the insights of feminist standpoint theory and Bourdieu’s reflexive (...) sociology to lay the foundation for a renewed reflexive project that centers epistemic privilege, the idea that positions of structural exclusion provide the best resources for theorizing social power. Reflexive sociology should consider interlocutors’ experiences of exclusion and contradiction, engaging with sites of alternative knowledge and incorporating them into the object of study. This type of reflexivity provides improved resources for relational theory building. I offer support for these theoretical arguments with a historical analysis of knowledge production in the feminist anti-violence movement. (shrink)

In this paper I outline some ways in which philosophy can contribute to the study of culture and pluralism, and how such a study may lead to a better understanding of philosophical enquiry. Building on earlier work (Sweet, 2002), I focus on four areas in which these contributions might be made. The first concerns the methodological, ideological, and historical presuppositions of culture and multiculturalism. The second area considers how philosophical discourse affects a culture's "self-understanding". The third area focuses on (...) how (and how far) philosophy may enable a culture to allow diversity and pluralism within the larger community. The fourth area deals with philosophy's dialectical relation with culture -how far philosophy is a product of culture, and whether that affects philosophy's participation in culture. An exploration of these areas will show both what role philosophy has to play in the analysis of culture, and why it is important for philosophers -especially in the English-speaking world- to engage in the "philosophy of culture". (shrink)

In response to the critique of his work by William Sweet, Hendrik Hart first offers some terminological clarifications. The important difference between ‘faith’ (trust in God) and ‘belief’ (our network of accepted understandings of things, expressed in concepts and propositions) is emphasized and his use of terms such as ‘religion,’ ‘knowledge,’ and ‘truth’ are explained. Hart then clarifies his approach to the Western philosophical tradition. He argues that Christian accommodation to philosophy and its idea of ‘reason’ as ultimate arbiter (...) have hindered proper understanding of biblical faith. He finds support for his critique within the philosophical tradition itself, particularly in the form of feminist and postmodern thought. In the end, he offers a vision of religious truth, encapsulated in Jesus’ proclamation, “I am the truth,” that is based upon the embodiment of God’s will and intent. (shrink)

New in Paperback! This English translation of Heraclitus' fragments combines all those generally accepted in modern scholarship. Dennis Sweet maintains the "flavor" of the Greek syntax as much as meaningful English will allow, and uses more archaic meanings over the later meanings. In the footnotes he includes, along with various textual and explanatory information, variant meanings of the most important terms so as to convey some of the semantical richness and layers of meaning which Heraclitus often utilizes.

Philosophical Theory and the Universal Declaration of Human Rights examines the relations and interrelations among theoretical and practical analyses of human rights. Edited by William Sweet, this volume draws on the works of philosophers, political theorists and those involved in the implementation of human rights. The essays, although diverse in method and approach, collectively argue that the language of rights and corresponding legal and political instruments have an important place in contemporary social political philosophy. Published in English.

Since the time of the Enlightenment in Western Europe, discussions of faith and reason have often pitted the believer against the skeptic, the theist against the atheist, and the person of one faith against the person of no professed faith. But the relation of reason to faith has been a matter of debate among believers as well. There are those who hold that religious faith can be proven or supported by rational argument. Others say that to try to give reasons (...) and arguments does violence to religious faith, or opens it to misunderstanding and doubt, or trivializes it. Responses to the Enlightenment: An Exchange on Foundations, Faith, and Community is a dialogue between Hendrik Hart and William Sweet, two philosophers who identify themselves as Christians, and who seek to respond to the challenges of the Enlightenment and its legacy. The authors approach the relation of faith to reason, however, in very different ways: Hart from the perspective of the Calvinian tradition and postmodern philosophy, Sweet from the Catholic tradition and analytic philosophy. Among the topics discussed are the nature of religious faith and of reason, liberalism and orthodoxy in religion, the relation of religious experience and rationality, and building community in a religiously and culturally pluralistic world. This exchange presents two distinctive perspectives to some of the major challenges of the reason to religious belief, but seeks to find common ground between them. (shrink)

Content Description The origins and uses of the classical moral theories / Roger Sullivan -- Wisdom as foundational ethical theory in Thomas Aquinas / Lawrence Dewan -- Descartes and the ethics of generosity / Leslie Armour -- Is pity the basis of ethics? : Nietzsche versus Schopenhauer / T.L.S. Sprigge -- Jacques Maritain and Karol Wojtyla : approches to modernity / Kenneth Schmitz -- On the foundations of ethics / Hugo Meynell -- Ethics, the humanities, and the formation of persons (...) / Thomas De Koninck -- Personal identity and the sense of duty / Elizabeth Trott -- Passing through : women's experiences and ethics / Monique Dumais -- Ladri'ere's eschatology of reason and the foundations of ethics / Louis Perron -- The foundations of ethics and moral practices / William Sweet. (shrink)

This essay uses the global impact of the Coronavirus as a heuristic semiotic for exploring the future of the church. Unlike the pandemic of 1918, which left few dents on the world's economic, social, and cultural systems, almost all the nations of the world have passed laws and implemented procedures that are only comparable to world wars in their impact on entire populations. Nations are acting in unison, but not in unity. This post-COVID, post-Corona world is the 'time that is (...) given' to the church. But it will not be a post-pandemic world. We may become COVID-proof, but we will never be pandemic-proof. There is no pre-COVID reset. There is only risk assessment from natural extinction risks to existential dangers of our own creation that are catching up to us. Disruption is the new status that is never quo; stability is the new abnormality; global cataclysm is the ever-present peril. The only way to prepare for a future of constant 'the end of the world as we know it?' moments is by developing a high Contextual Quotient, and deepening our Contextual Intelligence so we can choose 'the next right thing' in a world of volcanic volatility. CONTRIBUTION: This essay frames the semiotics of a missional ecclesiology in the COVIDian wake from the hermeneutics of blessings not curses. What virtues might we expect to come out of a virus that is fast-forwarding the future, virtues that will shape the contours of Christianity. What if the pandemic is a shock treatment that is putting the world, and the church, back in a new and better equilibrium? What if there are goldmines on the other side of the landmines and minefields? (shrink)